Thursday, December 15, 2011

Mori's Poems

"Occupant of soul “
In a surprise moments
The wave that slammed on my eyes
Went through
Washed my brain
Entered in my soul
Another permanent resident
“Tsunami”


“Like My Life”
Seating inside a coffee shop
Staring at snow flakes pouring heavily
Flakes one after another lands on the large window
And melts to a drop
Makes its little stream
And goes down in its own way
Like my life
February 26/07-Mississauga- Canada


“In Exile”
I see the birds are flying
My heart
Starts flying too
But
Without destination
February 28/07 – Oakville

Monday, December 12, 2011

A Poem by Trisha Smith

Muscular arm to the unknown
Muscular arm to the unknown
Should I hurt or should I go
A struggle
Then fear shackles
To trust the outstretched hand
Overwhelmed and reconciled
Into where belonging
Cries covered by peace
Freed once again.

Trisha is new to the group, I thought a poem would be a good introduction.

Friday, December 9, 2011

David Billings' Poems

Songs of November

November is the dullest month,
It sings in shades of gray,
Yet I learn more from this sad month,
Than from the joys of May.

Late Autumn sings of summer heat
And of the Winters cold,
Spring’s ditties mute though they repeat,
Gay prophecies foretold

So as I sink into the snow,
November’s words I heed
The season’s teach more than I know,
Of January’s deeds.

© All Rights reserved 2011 by David Billings Nov 1 2011
Snow

On frozen eddies snowflakes swirl,
Tiny crystals on climatic curls
Like a billion dreams, each unique,
With wintered hums that chime like speech,
They sing of what was and is to be,
Like cobbler shops, Christmas cookies,
And conifers that reached the sky.

They fly like fairies to and fro,
These wisdomed pearls disguised as snow,
Until fatigued they do, alas,
Fall wearily onto the mass,
Like rain upon the sea so deep,
Of whitened cold and endless sleep.

© 1992 David Billings, All Rights Reserved


#302 Muttly Ontarion

I’m just muttly, muttly Ontarion
A label that the books say can’t exist,
But my mirror incites delirium,
My mute reflection quietly insists,
That pirates lacked permission from the Queen
And Vikings left to rot their settlements,
Those called Indians had never been,
To Columbus’s sub continent,
While I the Redneck’s long lost ancestry,
The story which taxation could not tell,
Adopts the cloak of famous mystery,
The past so dark can not future foretell
So I’m content to be a northern mutt,
Such pedigree the world can not rebut.

© by David Billings Nov 7, 2011


12 Haiku for Kandinsky’s Colour Theory
by CJ Martin

Blue recedes, turns in,
Ascends to inner heaven
Soaring flute spirit

Blue retreats, darkens,
Inutterable grief follows
An organ thunders

Yellow flings itself
Outward, forward, overspreads -
Mad shrill lunacy

Green rests actively:
Pause between advance/retreat
Soothes with violins

Gray is paralyzed,
No potential for movement
Mute, no grief, no joy

White, beyond out touch,
The nothingness before birth
A pregnant silence

Black, an endless wall
Ashes of a funeral pyre
Profound, final pause

Red glows for itself
Rings inwardly, maturely
Triumph, strong trumpets

Orange is a man
Convinced of his own powers
An old violin

Cool red, self contained
Less active, it waits its turn
A cello’s sad tones

Violet’s cooled soul
Sad, old, ailing or mourning
A deep English horn

Brown, plus… fleck of red?
Indescribable beauty!
Thunders like a drum

The Swing Set
Ellie Hastings © 2011

We sat on the swing set
As if we had never flown
Our legs too long
Left furrows in the sand

We knew we were always dying
And could see it in our eyes
So we let words fall delicately on tomorrow
Though we felt them as heavy weights

We talked about our times
And the minutes that we missed
And the memories we collected
Pulling them out like forgotten jewels

We are only friendly ghosts
From long ago when our feet could float
And higher on the swings
Was our only dream

Illustration for "It’s not the “Painting,” it’s the painting."


It’s not the “Painting,” it’s the painting.
Ellie Hastings
© 2011

What the fuck is a Pollock?

It’s when the night sky is
red and promising,
though only a darkened day
steps forth.
That moment when you choke
on the ‘X’ in flux.
When caution never fades from trust
or doubt strangles worth.
It is the seconds before a storm,
or after a storm.
It is the storm.
It’s when poetry comes
dancing with the wind
or burns up in the fire,
or in yourself.
It’s when hard falls come
from high climbs seeing victory.
When Tomorrow brands itself
with all your flaws
and spits them back as faults.
It’s when eyes look into shadows
and shadows look for growth.
It’s when sunlight comes
through the window
and reveals dust as gold.
It’s when breathing joins relief
or bitterness steals it harshly.


But what the fuck is a Pollock?

Ellie Hastings Poems

The Swing Set
Ellie Hastings
© 2011

We sat on the swing set
As if we had never flown
Our legs too long
Left furrows in the sand

We knew we were always dying
And could see it in our eyes
So we let words fall delicately on tomorrow
Though we felt them as heavy weights

We talked about our times
And the minutes that we missed
And the memories we collected
Pulling them out like forgotten jewels

We are only friendly ghosts
From long ago when our feet could float
And higher on the swings
Was our only dream


Were You Among the Trees
Ellie Hastings
© 2011

Where were you when the sun fell down
And the clouds moved like desert sand
And became wisps among golden stars
Shooting into violet light

Where were you when the poplars whispered
And spoke of bitter winters, and nightmares
And the juniper confirmed its healing
But was still heavily rooted

Where were you when the oak trees shook
Furrows opening doorways to new realms
Wisdom flooding through roots
And acorns falling for dust

Where were you when the forest King rose
Tangled branches giving way to erratic moonlight
Touching the gods of lightning and thunder
And sharing inspiration with the woods

You were sleeping in foreign fantasies
And shifting through endless traffic
Fictitious in fabrics and counting coins
From pursuits in clouds you could not even see

Your eyes were closed as the trees spoke
Evasion through sleep when night was breathing
Blind in daylight by your own neon lights
And deaf by the rush of empty thinking minds

You were not breathing with your heartbeat
But in time with a ticking clock, fixed and counted
Willingly driven by gears and noisy voices
Passive of the wind that brings so much more

You missed the trees painting the sky
Like worn brushes with bent and wild bristles
Desperate to add their spring flames to the charcoal
And reaching to set the stars on a deeper fire

Where were you when my trust faded
Your compassion turning to dust and laughter
As I stood two feet from myself, bleeding out
And you lived in a circle so small you were choking

Where were you when the sun shattered
And I, pathetically, hoped for you to look 
Your incapacity overflowing with my faults
And ignorance blind to time as deeper thorns

Though here is my doubt relieved by the trees
So you may mindlessly waste in your dreams
And I will walk to find somewhere I am going
Grow among trees and change with the wind


It’s not the “Painting,” it’s the painting.
Ellie Hastings
© 2011

What the fuck is a Pollock?

It’s when the night sky is
red and promising,
though only a darkened day
steps forth.
That moment when you choke
on the ‘X’ in flux.
When caution never fades from trust
or doubt strangles worth.
It is the seconds before a storm,
or after a storm.
It is the storm.
It’s when poetry comes
dancing with the wind
or burns up in the fire,
or in yourself.
It’s when hard falls come
from high climbs seeing victory.
When Tomorrow brands itself
with all your flaws
and spits them back as faults.
It’s when eyes look into shadows
and shadows look for growth.
It’s when sunlight comes
through the window
and reveals dust as gold.
It’s when breathing joins relief
or bitterness steals it harshly.

But what the fuck is a Pollock?

Wednesday, November 30, 2011

Marg Clayton's cake recipe that everyone was asking about.

Clementine Cake

Place 4 or 5 clementines in a small pan and cover with water.  Bring to a boil.  Discard water. 
When cool roughly chop fruit, skin, pith & all.  Place in food processor till smooth.  
Add 3 cups of ground almonds, 1 1/4 cups white sugar, 1 tsp baking powder and 6 eggs.  Process to a smooth batter.  Pour into a 10" spring form lined with parchment paper.  
Place pan on a baking sheet and bake for 1 1/2 hours at 375 degrees or until cake comes away from the edges of pan.  Remove from oven.  Do not try to remove from pan till absolutely cold

Poems by Grant Thompson

II; The Show

The day’s winds have yielded the stage to the sun.
They have filled sails, held kites aloft,
Driven waves, carved stone, and hurled sand to
Scour smooth the bones of the earth.

The wind holds its breath.
The trees cease their waving and fall still and silent.
The water’s surface mirrors stone, trees and sky.
Expectant peace reigns.

They start to arrive, walking carefully over the rocks.
To witness sun’s final challenge to the encroaching darkness;
Golden pillar of light which will splash itself across the western sky,
Flames spread thinly then disperse and surrender to the dark,

This is dusk. Like the dawn
Neither day nor night has dominion here.
It is a pause, an intermission, to prepare for the next show.
Indifferent. Each one unique through the ages.

Still more arrive, finding their way by flashlight, feel, or familiarity.
They are quiet; respectful of the peace of others.
They carefully navigate around those already there
And lie down on the sun warmed rocks seeking twilight’s first jewel.

Purpling sky darkens slowly to pitch.  
As the sun and wind played their parts,
So now must the night serve its purpose;
A canvas, a backdrop for the final scene.

From an adjacent rock, a voice, words, overloud in the silence,
Shatters the stillness, “I’ve never seen it as dark as this outside our house……”
The voice trails off then hardly to be heard, yet filled with awe
“My God! Look at all the stars!”

Darkness is now complete.
No moon shines on the upturned faces
No moon overpowers His canvas.
There is a rustling, then, of voices, the whispers of indrawn breaths
As nothing less than the universe, all of creation, emerges from the darkness.


III; Night


Nothing exists at night
That is not there also in the day.
Why is there no comfort in that
When the shadows reach up
From the forest floor?

Let the night engulf you.
Like a creature of the dark woods,
Senses prickling with awareness
Listen what do you see?
Look what do you hear?

Night steals the colour from the world
Leaving only shades of black, gray and light.
Black reaches up from below
Blessed light from above
Gray bridges span extremes

Shadows twist, grow and fall.
Motion reveals forests’ foragers.
Gray flickers through canopy
Wise visage on silent wing glimpsed
through monochrome tangle.

And overhead the show continues.
Heroes, and hunters, dragons and royalty
On parade with Man’s other myths, circle endlessly
Until mornings mists obscure woods view,
When Sun and wind called anew.


IV: Morning

Morning is born in mist.
Damp cloak seeps into woods,
Clouding vision,
Obscuring truth
At the limit of sight, bear, boulder?

Sun slowly rises, gains strength,
Burns away mist off water.
Touches only treetops
Their feet enshrouded
Still in twilight.
         
Ripples on the bay
Dance with zephyrs kin.
Treetop leaves sound reveille
For the waking, taps
For night’s children.

Daylight’s own, recalled from
Dreams are slow to return,
Hear leaves call. Footsteps not their own,
Soft pads on crackling undergrowth
Following lair’s path to rest.

Wavelets on the bay.
Treetops gently bend
In the freshening air.
Sun’s beams slant through trees
To warm forest floor.

Brilliant sun and joyous winds,
Full awake,
Cast off damp cloak.
Banish mist’s clinging tendrils
From dappled woods.

Sparkling waves on the bay.
The new day challenges.
Bay’s mirror shattered
Til wind yields again
To the evening sun


Blue Water
By Grant Thompson

Rising from blue water,
Are the ageless bones of the earth,
The foundations of the world.

They don’t know years, or decades or centuries.
The passage of millennia, eons and epochs are recorded
 In the folds and layers of this ancient monolith.

In its existence
There is slight regard for the brief flickering of our passage
And yet our paths cross.
We are drawn to places where sky and water, wind and stone converge.

Some find a quiet place, shelter from the wind in a fold of rock
Some find an open place, stage set for the celestial panorama heralded by the sunset
Some find a high place, to hurl themselves out over deep sparkling water
          And for the briefest of moments, fly.

Rising from blue water,
Are my children, wife, families, friends,
The foundations of my world.

They don’t know eons, millennia and epochs.
What does time mean in this place?
In this place they know only now.

In their existence
There is slight regard for the eons it took to form these bones
Our feet wear paths into the earth’s foundation.
To places where sky and water, wind and stone converge.

Now in a quiet place, we read, play cards, sheltered from the wind in a fold of rock
Now in an open place, we lay, stage set for the celestial panorama heralded by the sunset
Now in a high place, we hurl ourselves out over deep sparkling water
          And for the briefest of moments, fly.



Poems by George Arnold


Breathe Deep

Breathe deep.
Feel the air as you fill.
Feel the peace,
the oxygen fueling you,
sharpening your thoughts,
steadying you for the task at hand.
Feel your lungs,
Feel your blood,
Feel your senses.

Now breathe out.
Express the waste, the joy, the thoughts
the senses, the feelings, the sentiment.
Saddle the breath with your art,
letting it ride out boldly,
fearless to whatever may await.

Words cannot be injured,
They are impervious,
They are important,
They are essential,
They are yours.
You are the poet,
breathe deep.

© George Arnold                November 24th, 2006


Poetic Divergence               By: George Arnold  

The rounded form of my rhyme
Plays smooth and eloquent
In the ether of my mind.
It casts elegant shadows
On parchment backdrops
But when released as thought
Into the world of free verse
Where angst reigns supreme
Amid a landscape of images
Of pain and despair
It tumbles out awkwardly
And is broken and shattered
Upon the splintered edges
Of what passes for art.

Copyright By: George Arnold Nov. 2003



The Universe Is Practically Empty

Now it becomes clear
as clear to the mind
as a high summer sky
to a vagabond eye

Surrounded by ether
there is no one to come
and none to seek
no rumble of traffic
nor civilization to create it
no singing of birds
on bough and branch
no mountain, 
rick or rill
to bear them shelter

Reality is expunged
abraded down to naught
its powdered bones
dashed from my sight
and splashed where they might
on homeless winds
that find no rest

Laying here
broken
bleeding
my spirit seeps away
fading to nothingness
I am alone in a universe
that is practically..
empty…

© George Arnold                Sept 30th, 2009.

based on “The Universe is Practically Empty” by Arnold McBay
from the “Surfacing” exhibit.



Monday, November 28, 2011

Breathe Deep
Breathe deep.
Feel the air as you fill.
Feel the peace,
the oxygen fueling you,
sharpening your thoughts,
steadying you for the task at hand.
Feel your lungs,
Feel your blood,
Feel your senses.

Now breathe out.
Express the waste, the joy, the thoughts
the senses, the feelings, the sentiment.
Saddle the breath with your art,
letting it ride out boldly,
fearless to whatever may await.

Words cannot be injured,
They are impervious,
They are important,
They are essential,
They are yours.
You are the poet,
breathe deep.
© George Arnold                                November 24th, 2006


Poetic Divergence

By: George Arnold

The rounded form of my rhyme
Plays smooth and eloquent
In the ether of my mind.
It casts elegant shadows
On parchment backdrops
But when released as thought
Into the world of free verse
Where angst reigns supreme
Amid a landscape of images
Of pain and despair
It tumbles out awkwardly
And is broken and shattered
Upon the splintered edges
Of what passes for art. 

Copyright By: George Arnold Nov. 2003




The Universe Is Practically Empty

Now it becomes clear
as clear to the mind
as a high summer sky
to a vagabond eye

Surrounded by ether
there is no one to come
and none to seek
no rumble of traffic
nor civilization to create it
no singing of birds
on bough and branch
no mountain, 
rick or rill
to bear them shelter

Reality is expunged
abraded down to naught
its powdered bones
dashed from my sight
and splashed where they might
on homeless winds
that find no rest


Laying here
broken
bleeding
my spirit seeps away
fading to nothingness
I am alone in a universe
that is practically..
empty…

© George Arnold                               Sept 30th, 2009.

based on “The Universe is Practically Empty” by Arnold McBay
from the “Surfacing” exhibit.

John Hastings' Poems

CRAZY HORSE REMEMBERED
John M. Hastings

mighty warrior spirit running free
    riding bareback
       your hair and horse’s mane blowing together
          through the plains winds of Dakota

‘til blue cavalry swarmed, tethered your people.
   less land, less buffalo, more rules, more white lies
      not little ones either…
         like the promise you’d be safe
            if you’d come to their fort to surrender.

how could they let you go when they had you in their grasp?
   you wanted to believe.
      in your soul you wanted your freedom back.

but going to the blue lair of blue liars
    you were betrayed by a bayonet in your back.
      their deceit won over your faith, your trust,
         your wishes for your people.

hearts still weep at Wounded Knee.



GOODBYE
John M. hastings

I see less of my family now
   cousins, aunts, uncles...
I call less often.

It’s not that I’m too busy.
    just...well...
just feeling more remote
   from those I love.
not less loving nor feeling for them
   but much less getting together.
Are we all drifting apart or just me?
Is it my way of saying goodbye
   while I am still here?


ONLY AN INSTANT
John M. Hastings

it takes only an instant
to tell you I love you.
it will take a lifetime to prove it.

it takes only an instant
to say the wrong thing.
it will take forever for you to forget.

it takes just an instant
to fall in love with your smile.
even a lifetime with you will not be enough.

it takes years to grow our children
but only an instant for them to leave.

it takes years to learn to live and love
yet only an instant to say goodbye.



The Illusion of Meaning
John M. Hastings

from the time we knew
   the sun was God
      then knew that it wasn’t

to the time we knew
   it revolved around our earth
      then knew that it didn’t

to now when we know
   our galaxy spirals a black hole
search for meaning in our existence
   has been endless and oh so imperfect

but what is meaning?
   atoms mostly empty
     support floors we stand on
chairs we sit on, buildings we occupy
   only sensed solid as molecular oscillation
      creates a hard wall of space

yet meaning based upon knowing
   provides little comfort
      for we cannot define the colour red
         describe beauty nor measure goodness
without a reference point, itself learned
    through limited sensory group-think acceptance
      remember our sun Gods?

and is life itself illusion?
   for our past exists only
      in memory and matter
then it exists no more
    its meaning lost...
                  in eternity




Friday, November 18, 2011

Paintings by Catherine Shane





Sylvia Collins Poems

The Sea Walk

Quicksilver sea flashes
hurts my eyes
shift 
to kelp covered rocks
Teeming tide pools
memories
Of other oceans
Others shores

On the sea walk
joggers, families, lovers
stroll
Brilliant flowers, palms and sea grass
Pebbled beaches
Grey and weathered driftwood logs
for water watching.

Westward
through the sun’s haze
the Island mountains rise grey blue
Their distant heights
Indistinguishable
from sky cloud ribbons
wreathed purple gold
at sunset

At my back
conifer clad mountains
merge
Wilderness joins city abruptly
down the North Shore's steep hills
While overhead
Ravens ride air currents.
© Sylvia Collins

















Water Watching

Out in the inlet

 Cargo ships with rust red keels
sedately wait

Feisty tugs carve duck V wakes
past Stanley Park

Yellow and bluebox laden
merchant vessels
plough towards the open sea

Raucous cries from seagulls
announcing ‘Coral Princess’ 
cruising shore close
multi-decked and stately
bound for iceberg glory
in Alaska.

Suddenly

Rain falling straight and hard

City and ships vanish
to reappear a minute later

The curtain rises
on sun flecked
white capped waters
Rhododendrons and Azaleas
brilliant pink and showy at the shoreline
as the cars swish past on Bellevue.

© Sylvia Collins







Symphony of Fire

Roman candles shower light
in concert with the violins
Catherine wheels spinning
spinning
Rockets explode
cymbals clash
Brilliant colour
Bright white light
illuminate the night
eye dazzling dancing flares
mirror imaged in the water
This vivid musical display in July
far removed
from January’s silent grey
when Toronto's Island ferries
slice through ice.

© Sylvia Collins
Night's Inception

We watch together you and I
As daytime fades at cocktail hour
When azure sky turns crimson red
It  never  fails to overpower 

The colour palette slowly morphs
To gaudy hues that hurt the eyes
Blanketed in thought we stand
At the dying sun‘s demise

Lakes and oceans turn to blood
With sky as if in celebration
A last hurrah to entertain
A pyrotechnic adoration

Then another show is staged
As water picks up silver streamers
Black and white shades of night
Softer quieter made for dreamers.


© Sylvia Collins