Friday, December 9, 2011



12 Haiku for Kandinsky’s Colour Theory
by CJ Martin

Blue recedes, turns in,
Ascends to inner heaven
Soaring flute spirit

Blue retreats, darkens,
Inutterable grief follows
An organ thunders

Yellow flings itself
Outward, forward, overspreads -
Mad shrill lunacy

Green rests actively:
Pause between advance/retreat
Soothes with violins

Gray is paralyzed,
No potential for movement
Mute, no grief, no joy

White, beyond out touch,
The nothingness before birth
A pregnant silence

Black, an endless wall
Ashes of a funeral pyre
Profound, final pause

Red glows for itself
Rings inwardly, maturely
Triumph, strong trumpets

Orange is a man
Convinced of his own powers
An old violin

Cool red, self contained
Less active, it waits its turn
A cello’s sad tones

Violet’s cooled soul
Sad, old, ailing or mourning
A deep English horn

Brown, plus… fleck of red?
Indescribable beauty!
Thunders like a drum

The Swing Set
Ellie Hastings © 2011

We sat on the swing set
As if we had never flown
Our legs too long
Left furrows in the sand

We knew we were always dying
And could see it in our eyes
So we let words fall delicately on tomorrow
Though we felt them as heavy weights

We talked about our times
And the minutes that we missed
And the memories we collected
Pulling them out like forgotten jewels

We are only friendly ghosts
From long ago when our feet could float
And higher on the swings
Was our only dream

Illustration for "It’s not the “Painting,” it’s the painting."


It’s not the “Painting,” it’s the painting.
Ellie Hastings
© 2011

What the fuck is a Pollock?

It’s when the night sky is
red and promising,
though only a darkened day
steps forth.
That moment when you choke
on the ‘X’ in flux.
When caution never fades from trust
or doubt strangles worth.
It is the seconds before a storm,
or after a storm.
It is the storm.
It’s when poetry comes
dancing with the wind
or burns up in the fire,
or in yourself.
It’s when hard falls come
from high climbs seeing victory.
When Tomorrow brands itself
with all your flaws
and spits them back as faults.
It’s when eyes look into shadows
and shadows look for growth.
It’s when sunlight comes
through the window
and reveals dust as gold.
It’s when breathing joins relief
or bitterness steals it harshly.


But what the fuck is a Pollock?

Ellie Hastings Poems

The Swing Set
Ellie Hastings
© 2011

We sat on the swing set
As if we had never flown
Our legs too long
Left furrows in the sand

We knew we were always dying
And could see it in our eyes
So we let words fall delicately on tomorrow
Though we felt them as heavy weights

We talked about our times
And the minutes that we missed
And the memories we collected
Pulling them out like forgotten jewels

We are only friendly ghosts
From long ago when our feet could float
And higher on the swings
Was our only dream


Were You Among the Trees
Ellie Hastings
© 2011

Where were you when the sun fell down
And the clouds moved like desert sand
And became wisps among golden stars
Shooting into violet light

Where were you when the poplars whispered
And spoke of bitter winters, and nightmares
And the juniper confirmed its healing
But was still heavily rooted

Where were you when the oak trees shook
Furrows opening doorways to new realms
Wisdom flooding through roots
And acorns falling for dust

Where were you when the forest King rose
Tangled branches giving way to erratic moonlight
Touching the gods of lightning and thunder
And sharing inspiration with the woods

You were sleeping in foreign fantasies
And shifting through endless traffic
Fictitious in fabrics and counting coins
From pursuits in clouds you could not even see

Your eyes were closed as the trees spoke
Evasion through sleep when night was breathing
Blind in daylight by your own neon lights
And deaf by the rush of empty thinking minds

You were not breathing with your heartbeat
But in time with a ticking clock, fixed and counted
Willingly driven by gears and noisy voices
Passive of the wind that brings so much more

You missed the trees painting the sky
Like worn brushes with bent and wild bristles
Desperate to add their spring flames to the charcoal
And reaching to set the stars on a deeper fire

Where were you when my trust faded
Your compassion turning to dust and laughter
As I stood two feet from myself, bleeding out
And you lived in a circle so small you were choking

Where were you when the sun shattered
And I, pathetically, hoped for you to look 
Your incapacity overflowing with my faults
And ignorance blind to time as deeper thorns

Though here is my doubt relieved by the trees
So you may mindlessly waste in your dreams
And I will walk to find somewhere I am going
Grow among trees and change with the wind


It’s not the “Painting,” it’s the painting.
Ellie Hastings
© 2011

What the fuck is a Pollock?

It’s when the night sky is
red and promising,
though only a darkened day
steps forth.
That moment when you choke
on the ‘X’ in flux.
When caution never fades from trust
or doubt strangles worth.
It is the seconds before a storm,
or after a storm.
It is the storm.
It’s when poetry comes
dancing with the wind
or burns up in the fire,
or in yourself.
It’s when hard falls come
from high climbs seeing victory.
When Tomorrow brands itself
with all your flaws
and spits them back as faults.
It’s when eyes look into shadows
and shadows look for growth.
It’s when sunlight comes
through the window
and reveals dust as gold.
It’s when breathing joins relief
or bitterness steals it harshly.

But what the fuck is a Pollock?

Wednesday, November 30, 2011

Marg Clayton's cake recipe that everyone was asking about.

Clementine Cake

Place 4 or 5 clementines in a small pan and cover with water.  Bring to a boil.  Discard water. 
When cool roughly chop fruit, skin, pith & all.  Place in food processor till smooth.  
Add 3 cups of ground almonds, 1 1/4 cups white sugar, 1 tsp baking powder and 6 eggs.  Process to a smooth batter.  Pour into a 10" spring form lined with parchment paper.  
Place pan on a baking sheet and bake for 1 1/2 hours at 375 degrees or until cake comes away from the edges of pan.  Remove from oven.  Do not try to remove from pan till absolutely cold

Poems by Grant Thompson

II; The Show

The day’s winds have yielded the stage to the sun.
They have filled sails, held kites aloft,
Driven waves, carved stone, and hurled sand to
Scour smooth the bones of the earth.

The wind holds its breath.
The trees cease their waving and fall still and silent.
The water’s surface mirrors stone, trees and sky.
Expectant peace reigns.

They start to arrive, walking carefully over the rocks.
To witness sun’s final challenge to the encroaching darkness;
Golden pillar of light which will splash itself across the western sky,
Flames spread thinly then disperse and surrender to the dark,

This is dusk. Like the dawn
Neither day nor night has dominion here.
It is a pause, an intermission, to prepare for the next show.
Indifferent. Each one unique through the ages.

Still more arrive, finding their way by flashlight, feel, or familiarity.
They are quiet; respectful of the peace of others.
They carefully navigate around those already there
And lie down on the sun warmed rocks seeking twilight’s first jewel.

Purpling sky darkens slowly to pitch.  
As the sun and wind played their parts,
So now must the night serve its purpose;
A canvas, a backdrop for the final scene.

From an adjacent rock, a voice, words, overloud in the silence,
Shatters the stillness, “I’ve never seen it as dark as this outside our house……”
The voice trails off then hardly to be heard, yet filled with awe
“My God! Look at all the stars!”

Darkness is now complete.
No moon shines on the upturned faces
No moon overpowers His canvas.
There is a rustling, then, of voices, the whispers of indrawn breaths
As nothing less than the universe, all of creation, emerges from the darkness.


III; Night


Nothing exists at night
That is not there also in the day.
Why is there no comfort in that
When the shadows reach up
From the forest floor?

Let the night engulf you.
Like a creature of the dark woods,
Senses prickling with awareness
Listen what do you see?
Look what do you hear?

Night steals the colour from the world
Leaving only shades of black, gray and light.
Black reaches up from below
Blessed light from above
Gray bridges span extremes

Shadows twist, grow and fall.
Motion reveals forests’ foragers.
Gray flickers through canopy
Wise visage on silent wing glimpsed
through monochrome tangle.

And overhead the show continues.
Heroes, and hunters, dragons and royalty
On parade with Man’s other myths, circle endlessly
Until mornings mists obscure woods view,
When Sun and wind called anew.


IV: Morning

Morning is born in mist.
Damp cloak seeps into woods,
Clouding vision,
Obscuring truth
At the limit of sight, bear, boulder?

Sun slowly rises, gains strength,
Burns away mist off water.
Touches only treetops
Their feet enshrouded
Still in twilight.
         
Ripples on the bay
Dance with zephyrs kin.
Treetop leaves sound reveille
For the waking, taps
For night’s children.

Daylight’s own, recalled from
Dreams are slow to return,
Hear leaves call. Footsteps not their own,
Soft pads on crackling undergrowth
Following lair’s path to rest.

Wavelets on the bay.
Treetops gently bend
In the freshening air.
Sun’s beams slant through trees
To warm forest floor.

Brilliant sun and joyous winds,
Full awake,
Cast off damp cloak.
Banish mist’s clinging tendrils
From dappled woods.

Sparkling waves on the bay.
The new day challenges.
Bay’s mirror shattered
Til wind yields again
To the evening sun


Blue Water
By Grant Thompson

Rising from blue water,
Are the ageless bones of the earth,
The foundations of the world.

They don’t know years, or decades or centuries.
The passage of millennia, eons and epochs are recorded
 In the folds and layers of this ancient monolith.

In its existence
There is slight regard for the brief flickering of our passage
And yet our paths cross.
We are drawn to places where sky and water, wind and stone converge.

Some find a quiet place, shelter from the wind in a fold of rock
Some find an open place, stage set for the celestial panorama heralded by the sunset
Some find a high place, to hurl themselves out over deep sparkling water
          And for the briefest of moments, fly.

Rising from blue water,
Are my children, wife, families, friends,
The foundations of my world.

They don’t know eons, millennia and epochs.
What does time mean in this place?
In this place they know only now.

In their existence
There is slight regard for the eons it took to form these bones
Our feet wear paths into the earth’s foundation.
To places where sky and water, wind and stone converge.

Now in a quiet place, we read, play cards, sheltered from the wind in a fold of rock
Now in an open place, we lay, stage set for the celestial panorama heralded by the sunset
Now in a high place, we hurl ourselves out over deep sparkling water
          And for the briefest of moments, fly.



Poems by George Arnold


Breathe Deep

Breathe deep.
Feel the air as you fill.
Feel the peace,
the oxygen fueling you,
sharpening your thoughts,
steadying you for the task at hand.
Feel your lungs,
Feel your blood,
Feel your senses.

Now breathe out.
Express the waste, the joy, the thoughts
the senses, the feelings, the sentiment.
Saddle the breath with your art,
letting it ride out boldly,
fearless to whatever may await.

Words cannot be injured,
They are impervious,
They are important,
They are essential,
They are yours.
You are the poet,
breathe deep.

© George Arnold                November 24th, 2006


Poetic Divergence               By: George Arnold  

The rounded form of my rhyme
Plays smooth and eloquent
In the ether of my mind.
It casts elegant shadows
On parchment backdrops
But when released as thought
Into the world of free verse
Where angst reigns supreme
Amid a landscape of images
Of pain and despair
It tumbles out awkwardly
And is broken and shattered
Upon the splintered edges
Of what passes for art.

Copyright By: George Arnold Nov. 2003



The Universe Is Practically Empty

Now it becomes clear
as clear to the mind
as a high summer sky
to a vagabond eye

Surrounded by ether
there is no one to come
and none to seek
no rumble of traffic
nor civilization to create it
no singing of birds
on bough and branch
no mountain, 
rick or rill
to bear them shelter

Reality is expunged
abraded down to naught
its powdered bones
dashed from my sight
and splashed where they might
on homeless winds
that find no rest

Laying here
broken
bleeding
my spirit seeps away
fading to nothingness
I am alone in a universe
that is practically..
empty…

© George Arnold                Sept 30th, 2009.

based on “The Universe is Practically Empty” by Arnold McBay
from the “Surfacing” exhibit.



Monday, November 28, 2011

Breathe Deep
Breathe deep.
Feel the air as you fill.
Feel the peace,
the oxygen fueling you,
sharpening your thoughts,
steadying you for the task at hand.
Feel your lungs,
Feel your blood,
Feel your senses.

Now breathe out.
Express the waste, the joy, the thoughts
the senses, the feelings, the sentiment.
Saddle the breath with your art,
letting it ride out boldly,
fearless to whatever may await.

Words cannot be injured,
They are impervious,
They are important,
They are essential,
They are yours.
You are the poet,
breathe deep.
© George Arnold                                November 24th, 2006


Poetic Divergence

By: George Arnold

The rounded form of my rhyme
Plays smooth and eloquent
In the ether of my mind.
It casts elegant shadows
On parchment backdrops
But when released as thought
Into the world of free verse
Where angst reigns supreme
Amid a landscape of images
Of pain and despair
It tumbles out awkwardly
And is broken and shattered
Upon the splintered edges
Of what passes for art. 

Copyright By: George Arnold Nov. 2003




The Universe Is Practically Empty

Now it becomes clear
as clear to the mind
as a high summer sky
to a vagabond eye

Surrounded by ether
there is no one to come
and none to seek
no rumble of traffic
nor civilization to create it
no singing of birds
on bough and branch
no mountain, 
rick or rill
to bear them shelter

Reality is expunged
abraded down to naught
its powdered bones
dashed from my sight
and splashed where they might
on homeless winds
that find no rest


Laying here
broken
bleeding
my spirit seeps away
fading to nothingness
I am alone in a universe
that is practically..
empty…

© George Arnold                               Sept 30th, 2009.

based on “The Universe is Practically Empty” by Arnold McBay
from the “Surfacing” exhibit.