Monday, November 28, 2011

John Hastings' Poems

CRAZY HORSE REMEMBERED
John M. Hastings

mighty warrior spirit running free
    riding bareback
       your hair and horse’s mane blowing together
          through the plains winds of Dakota

‘til blue cavalry swarmed, tethered your people.
   less land, less buffalo, more rules, more white lies
      not little ones either…
         like the promise you’d be safe
            if you’d come to their fort to surrender.

how could they let you go when they had you in their grasp?
   you wanted to believe.
      in your soul you wanted your freedom back.

but going to the blue lair of blue liars
    you were betrayed by a bayonet in your back.
      their deceit won over your faith, your trust,
         your wishes for your people.

hearts still weep at Wounded Knee.



GOODBYE
John M. hastings

I see less of my family now
   cousins, aunts, uncles...
I call less often.

It’s not that I’m too busy.
    just...well...
just feeling more remote
   from those I love.
not less loving nor feeling for them
   but much less getting together.
Are we all drifting apart or just me?
Is it my way of saying goodbye
   while I am still here?


ONLY AN INSTANT
John M. Hastings

it takes only an instant
to tell you I love you.
it will take a lifetime to prove it.

it takes only an instant
to say the wrong thing.
it will take forever for you to forget.

it takes just an instant
to fall in love with your smile.
even a lifetime with you will not be enough.

it takes years to grow our children
but only an instant for them to leave.

it takes years to learn to live and love
yet only an instant to say goodbye.



The Illusion of Meaning
John M. Hastings

from the time we knew
   the sun was God
      then knew that it wasn’t

to the time we knew
   it revolved around our earth
      then knew that it didn’t

to now when we know
   our galaxy spirals a black hole
search for meaning in our existence
   has been endless and oh so imperfect

but what is meaning?
   atoms mostly empty
     support floors we stand on
chairs we sit on, buildings we occupy
   only sensed solid as molecular oscillation
      creates a hard wall of space

yet meaning based upon knowing
   provides little comfort
      for we cannot define the colour red
         describe beauty nor measure goodness
without a reference point, itself learned
    through limited sensory group-think acceptance
      remember our sun Gods?

and is life itself illusion?
   for our past exists only
      in memory and matter
then it exists no more
    its meaning lost...
                  in eternity




Friday, November 18, 2011

Paintings by Catherine Shane





Sylvia Collins Poems

The Sea Walk

Quicksilver sea flashes
hurts my eyes
shift 
to kelp covered rocks
Teeming tide pools
memories
Of other oceans
Others shores

On the sea walk
joggers, families, lovers
stroll
Brilliant flowers, palms and sea grass
Pebbled beaches
Grey and weathered driftwood logs
for water watching.

Westward
through the sun’s haze
the Island mountains rise grey blue
Their distant heights
Indistinguishable
from sky cloud ribbons
wreathed purple gold
at sunset

At my back
conifer clad mountains
merge
Wilderness joins city abruptly
down the North Shore's steep hills
While overhead
Ravens ride air currents.
© Sylvia Collins

















Water Watching

Out in the inlet

 Cargo ships with rust red keels
sedately wait

Feisty tugs carve duck V wakes
past Stanley Park

Yellow and bluebox laden
merchant vessels
plough towards the open sea

Raucous cries from seagulls
announcing ‘Coral Princess’ 
cruising shore close
multi-decked and stately
bound for iceberg glory
in Alaska.

Suddenly

Rain falling straight and hard

City and ships vanish
to reappear a minute later

The curtain rises
on sun flecked
white capped waters
Rhododendrons and Azaleas
brilliant pink and showy at the shoreline
as the cars swish past on Bellevue.

© Sylvia Collins







Symphony of Fire

Roman candles shower light
in concert with the violins
Catherine wheels spinning
spinning
Rockets explode
cymbals clash
Brilliant colour
Bright white light
illuminate the night
eye dazzling dancing flares
mirror imaged in the water
This vivid musical display in July
far removed
from January’s silent grey
when Toronto's Island ferries
slice through ice.

© Sylvia Collins
Night's Inception

We watch together you and I
As daytime fades at cocktail hour
When azure sky turns crimson red
It  never  fails to overpower 

The colour palette slowly morphs
To gaudy hues that hurt the eyes
Blanketed in thought we stand
At the dying sun‘s demise

Lakes and oceans turn to blood
With sky as if in celebration
A last hurrah to entertain
A pyrotechnic adoration

Then another show is staged
As water picks up silver streamers
Black and white shades of night
Softer quieter made for dreamers.


© Sylvia Collins


Antigua by Jean L. Burbridge

Antigua
 January 2009
The six o’clock  bee
Serenades the Island
In jungle-thick gardens
Of exotic plants.
Warm, dark nights caress
My winter-weary skin
Life lifted in sunlit 
Hands of tropical peace.

The Kiss by George Arnold

The Kiss


Blood red passion fills us up
inflamed as we are
leaning in and over life
but the bubble of love
and all the bumps that exist within
interrupts and intercedes
invades and abrades
leaving behind it
a thin and drying trail
dripping
slowly dripping
while the pool
 of our life
and our desire
coagulates below


© George Arnold                               Sept 26th, 2009

based on The Kiss (2) by Susan Wintrop from the “Surfacing” exhibit

Orion Evening by George Arnold

Orion Evening


The spring night sky is cool,
Dark arms thrown wide in embrace
Soft jazz its apparel
An upright bass the muted pulse
The night air caresses you,
Soft and cool against the skin
The saxophone breeze,
Slightly smoky,
Wafts across xylophone stars
The percussion of distant motion
Cuddles gently against the cheek
Cool comfort reverie
As you surrender your vigilance,
To black satin fantasy


Copyright By: George Arnold   

Mind Shots by George Arnold

Mind Shots

I can see them now…. I suppose we all have them

Buried deep inside
like our personal loops of celluloid
documenting our lives
our emotions and
our experience

Nameless… frameless,
visual impressions,
of what we have seen
of what we have been … and been through

Like my life,
mine are blurred
but concentration
brings out the content
even if detail is elusive

The dark and stormy rocks of the shores
the rolling fields
the roads I have travelled
are all there
preserved for perpetuity
in the dark chambers of my mind

And the water
…..oh the water
the very sense of  urgency
the flow of my spirit
runs … flows … foams … and seeps
through all of it
even where its revisionism has been resisted
laying on their surface
thin … beaded … opaque
unable to penetrate
the history before it.

I don’t have names
for these panels … these cells … these internal microfiche
they simply exist
untitled, unheralded, silent testaments
to a lifetime lived … a world experienced

Waiting for me to return and study them again.

© George Arnold